Based on the current development of domestic tourism,“integration of culture and tourism”has become a new idea for the development of “intangible cultural heritage.”In response to the phenomenon of various traditional music being packaged,beautified and performed on stage to promote the tourist industry,scholars have mostly analyzed and discussed it from the perspectives of economic benefits,cultural authenticity,and cultural heritage and development in the past.For people who are primarily emotional,however,the most serious problem with traditional music on stage is that the institutionalized stage rules and processes tear apart the continuous emotional experience and holistic emotional space of cultural holders.Therefore,this paper proposes to construct a new model for traditional music stage performance with“continuous emotional experience”and "holistic emotional space”by drawing on Erving Goffman's theories of “front region”and “back region”and Richard Schechner's concept of “social performances.”