摘要
阿道夫·伯恩哈德·马克思(Adolf Bernhard Marx, 1795-1866),是19世纪德国音乐评论家,理论家和教育家。他在《柏林大众音乐报》(Berliner allgememeine musikalische Zeitung ,1824-1830)评论贝多芬《第三交响曲》(英雄)时,最早提出了“音乐理念”(Musik Idee)这一术语。无论是《柏林大众音乐报》,还是A.B.马克思提出的“音乐理念”,都启发了众多作曲家的创作及音乐思想,如门德尔松、李斯特,以及勋伯格。文章将对A.B.马克思创办的《柏林大众音乐报》及其他的“音乐理念”进行较为详细地论述,从而进一步厘清A.B.马克思“音乐理念”的概念以及他对贝多芬音乐的诠释与接受。
Abstract
Adolf Bernhard Marx(May 25,1795-May 17,1866)was German music critic,theorist,and educator during the 19th century.The term "Musik Idee” (music idea)was first coined in Marx's review of Beethoven's Third Symphony(Hero)in the Berliner allgemeine musikalische Zeitung (1824-1830). Numerous composers,including Mendelssohn, Liszt, and Schoenberg have inspired from both Marx's Musik Idee and the Berliner allgememeine musikalische Zeitung for their compositions and musical ideas.This paper will discuss Marx's founding of the Berliner allgememeine musikalische Zeitung and his “Musik Idee” in detail,with the aim of further clarifying the concept of “Musik Idee” as well as Marx's interpretation and acceptance of Beethoven's music.
关键词
A.B.马克思 /
《柏林大众音乐报》 /
“音乐理念” /
贝多芬交响曲
黄琼琼.
音乐评论与“音乐理念”——A.B.马克思早期对贝多芬及其音乐的接受[J]. 中央音乐学院学报. 2024(3): 94-110+138
HUANG Qiongqiong.
Music Criticism and the Musik Idee:A.B.Marx's Early Reception of L.V.Beethoven and His music[J]. Journal of Central Conservatory of Music. 2024(3): 94-110+138
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