论文选取考古发现的三套保存较为完好的周代编磬进行研究，它们分别出土于陕西韩城梁带村芮国墓葬、甘肃礼县大堡子山秦国乐器坑和河南洛阳中州大渠周墓，均为10件一套，属于黄河中上游地区周代音乐文化制品，且在年代上呈现出连续性的特点。作者将三套编磬与《考工记·磬氏》磬制加以比较，对编磬的音域和音阶构成、音准以及声音频谱进行分析，探究三套编磬的共性和个性差异，并对编磬的形制设计、音乐性能以及编磬的制造工艺技术予以探讨。

The paper examines three well-preserved sets of Zhou Dynasty chime stones discovered archaeologically.These sets,each consisting of ten pieces,were excavated from the Rui State tombs of Liangdaicun in Hancheng,Shaanxi Province;the Qin State musical instrument pit in Lixian Dabuzishan,Gansu Province;and the Zhou Dynasty tomb of Zhongzhou Daqu in Luoyang,Henan Province.Belonging to the musical and cultural artifacts of the Zhou Dynasty from the middle and upper reaches of the Yellow River,these sets of stones exhibit chronological continuity.The author compares three sets of chime stones with the manufacturing standards recorded in the classical writings of Kaogongji Qingshi through analyzing their range of pitch,scales structures,intonation accuracy,and their frequency spectrums,and exploring their commonalities and individual differences.Additionally,the paper discusses shape design,acoustic properties,and manufacturing techniques of the chime stones.