文章以游戏概念为中心,揭示了其作为人类自由本质的显现与现代性批判工具的双重性。游戏被阐释为超越功利性的感性实践,通过规则与偶然、秩序与即兴的辩证张力,成为艺术创造与社会交往的原型。从古代哲学对宇宙生成的隐喻到中世纪宗教救赎的象征,从启蒙时期理性与感性的博弈到浪漫主义对主体性的消融,游戏始终围绕着人性展开,以构建非功利性的共同体。音乐作为游戏的最高形式,通过结构逻辑与声学表达实现了自由与秩序的辩证法的具象化,以此筹划出对抗异化的乌托邦场域。游戏在理性与诗性的裂隙间重构了充满生气的原始冲动,最终指向人类原初状态的解放力量。

This paper centers on the concept of “Spiel/Play/Game” and reveals its dual nature as both a manifestation of human freedom and a critical tool for modernity.Play is interpreted as a non-utilitarian sensory practice that,through the dialectical tension between rules and chance,order and improvisation,becomes the prototype for artistic creation and social interaction.From ancient philosophical metaphors of cosmic genesis to medieval symbols of religious redemption,from Enlightenment-era negotiations between reason and sensibility to Romanticism's dissolution of subjectivity,play persistently engages with human nature to construct non-utilitarian communities.Music,as the highest form of play,materializes the dialectic of freedom and order through structural logic and acoustic expression,thereby envisioning a utopian field resistant to alienation.Play thus reconfigures primal vitality within the fissure between rationality and poeticity.It ultimately points toward the liberating potential of a primordial human condition.