摘要
中国音乐有着悠久的历史传承,又有丰富多彩文化交流的浸染,二者共同造就了一体多元的中华音乐内核。文章通过回顾近代西乐东渐之后国人对于西乐认识的转变、对于传统国乐发展的见解与求索,再追溯古代音乐文明的发展演化与对外交流融合,从而找寻中国音乐历史进程中的中国化行踪、演进特点及其艺术规律;而当代文化建设与自主知识体系构建的倡导,成为新时代中国音乐中国化、体系化建设的加速器和助推器,将为不远将来中国音乐的质性提升提供社会动力和时代推力。
Abstract
Chinese music possesses a long historical lineage and has been enriched by diverse cultural exchanges,both of which have collectively shaped its unified yet pluralistic core.This article examines the shifts in Chinese perceptions of Western music since its eastward spread in recent centuries,alongside discourses on the development of traditional Chinese music.By tracing the evolution and cross-cultural integration of ancient musical civilizations,it seeks to identify the distinctive path of sinicization,evolutionary characteristics,and underlying artistic principles within Chinese music's historical trajectory.This understanding,in turn,frames the contemporary push for cultural development and an autonomous knowledge system as a catalyst that will provide the social momentum and contemporary impetus for a qualitative enhancement of Chinese music in the near future.
关键词
中国音乐 /
国乐 /
中国化 /
体系化 /
自主知识体系
Key words
Chinese music /
traditional Chinese music /
sinicization /
systematization /
autonomous knowledge system
陈荃有.
中国音乐的中国化、体系化:历史必然与时代促动[J]. 中央音乐学院学报. 2025(4): 44-54
CHEN Quanyou.
The Sinicization and Systematization of Chinese Music: Historical Inevitability and Contemporary Impetus[J]. Journal of Central Conservatory of Music. 2025(4): 44-54
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基金
本文为2024年国家社科基金艺术学重大课题“中国民间音乐探源溯流与中华文化传承发展研究”(编号:24ZD09)阶段性成果。