文章以第十届表演科学国际研讨会为切入点,结合会议议题结构与词频统计等数据,系统考察当代音乐表演研究在科学实证、人文阐释与实践应用之间的结构性转向。研究发现,在人工智能快速发展的背景下,表演者视角、音乐本体问题与数据驱动方法等要素正在重新获得平衡;同时,青年学者和艺术家的大规模参与以及双语机制的引入,助力了更有效的跨学科与跨文化对话。此次会议所呈现的跨界融合格局不仅反映了国际表演科学新的发展趋势,也为中国音乐表演研究在方法创新与自主话语体系构建等方面提供了重要参考。

This article examines recent developments in music performance research by taking the 10th International Symposium on Performance Science (ISPS 2025) as a case study. Based on an analysis of the symposium's thematic structure and keyword frequency data, it explores emerging structural shifts between scientific empiricism, humanistic interpretation, and practice-oriented inquiry. The study shows that, in the context of the rapid development of artificial intelligence, renewed attention has shifted toward performer-centred perspectives, core musical issues, and data-driven research methods, leading to a more balanced research landscape. At the same time, the active participation of early-career scholars and performing artists, together with the introduction of bilingual presentation formats, has facilitated more effective interdisciplinary exchange and cross-cultural dialogue. The interdisciplinary convergence evident at ISPS 2025 not only reveals broader international trends in performance science, but also provides an important reference for methodological innovation and the development of a distinctive scholarly voice in music performance research in China, viewed from a global academic perspective.