2026年5月,中央音乐学院召开“建构音乐中国自主知识体系”学术研讨会。本文对此次会议进行系统述评,围绕“建构什么、如何建构、谁来建构”三重追问,从问题提出、理论生成与学界协同三个层面展开分析。述评认为,建构中国音乐自主知识体系的关键在于将本土音乐经验升华为具有解释力的理论命题;其生成路径须立足当代实践、激活传统资源并回应技术变革;期刊与学者的协同合作构成体系建构的学术支撑。此次会议是中国音乐研究从议题响应迈向体系建构的重要节点。

In May 2026, the Central Conservatory of Music convened the symposium “Establishing a Chinese Autonomous Knowledge System in Music.” This article provides a systematic review of the conference, centering on three core questions, namely “what to construct, how to construct, and who will construct,” and analyzes them from three dimensions: problem formation, theoretical generation, and scholarly collaboration. The review argues that the key to establishing a Chinese autonomous knowledge system in music lies in elevating local musical experience into theoretically explanatory propositions. Its generative pathway must be grounded in contemporary practice, draw upon traditional resources, and respond to technological change. Collaborative synergy among scholars, academic journals, and emerging researchers constitutes the academic safeguard for such a system-building endeavor. The symposium makes a significant turning point in Chinese music research, moving from issue-oriented responses toward systematic knowledge construction.