“诗乐相生”作为中国传统艺术的核心特质,在中国艺术歌曲的发展脉络中始终得以延续。时至今日,中国古诗词依然是艺术歌曲创作的重要文本来源。二分性结构是唐宋诗词的核心结构逻辑与美学框架,文章通过分析罗忠镕、王建中、杨立青及贾达群等人所创作的艺术歌曲,剖析这些作品如何依托诗词的二分性结构实现古诗词意境的音乐化移译,进而探究以结构对话、意境共生为新价值模式的诗乐关系及其所蕴含的艺术精神,希冀为理解当代中国艺术歌曲中诗与乐的结构互动逻辑提供新的理论视角。

The principle of “poetry and music giving life to each other,” a core characteristic of traditional Chinese art, has been consistently sustained throughout the development of Chinese art songs. To this day, classical Chinese poetry remains an important textual source for the composition of art songs. The binary structure constitutes both the fundamental structural logic and the aesthetic framework of Tang-Song poetry. By analyzing art songs composed by LUO Zhongrong, WANG Jianzhong, YANG Liqing, and JIA Daqun, this study examines how these works rely on the binary structure of ancient poetry to realize a musical imagination of its poetic imagery. It further explores a new value paradigm of poetry-music relations-one centered on structural dialogue and symbiotic imagery-and the artistic spirit embedded therein, aiming to offer a fresh theoretical perspective for understanding the structural interactive logic between poetry and music in contemporary Chinese art songs.