“鼓语”是在灵性生态中制造的一种超自然音乐意义集合。萨满通过多模态感官联觉体验和具身仪式行动(表演)编织意义,从而将信众由世俗导向神圣。灵性音乐思维研究,旨在为信俗型仪式音乐研究提供一个平衡且具可持续发展意义的理论视角。论文以近年来田野调查成果,特别是西南高山峡谷生计族群及国外民族志博物馆北亚原住民萨满响器的发现为对象,讨论鼓语的自然响器特征以及灵性音乐思维的当代文化遗产价值。

“Drum language” is a collection of supernatural musical meanings generated within a spiritual ecology. Shamans weave meaning through multimodal synesthetic experiences and embodied ritual actions (performances), thereby guiding believers from the secular toward the sacred. The study of spiritual musical thought aims to provide a balanced and enduring theoretical perspective for research on belief-custom ritual music. Drawing on recent fieldwork findings-particularly those concerning subsistence ethnic groups in the southwestern high mountains and gorges, as well as discoveries of shamanic sound instruments among indigenous peoples of North Asia held in ethnographic museums abroad-this paper discusses the natural sound-instrument characteristics of drum language and the contemporary cultural heritage value of spiritual musical thought.